Tag: Material Culture
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The Francoist appropriation of the popular festival
Fig 1: Franco and members of the Seville government in a Holy Week procession in 1940 By Claudio Hernández Burgos and César Rina When it comes to understanding contemporary cultural processes and political dynamics, the study of festivals and popular rituals has traditionally occupied a secondary and anecdotal position in historiography. It has been interpreted as…
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Egyptian? Or Nubian? Asking questions of objects
By Aaron de Souza For the last ten years or so I’ve been deeply interested in ancient Nubian cultures of the Second Millennium BCE – in particular the so-called ‘Pan-Grave’, ‘C-Group’ and ‘Kerma’ cultures.[1] I can’t tell you exactly what about them it is that intrigues me so much, but a big part is the…
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A Royal Bedroom: Gender, Class and Material Culture
By Esther Griffin van Orsouw For my PhD research at the University of Warsaw, I investigate the consumption of art by the Sobieski family and their contemporaries in the late 17th and early 18th century in relation to space. I consider what type of objects the royals surrounded themselves with, whether they favoured any objects…
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Lacquer as Art and Medicinal Material in Early Modern England
CHENG HE Look up the word ‘lacquer’ in an art dictionary, or on Google, and you usually find the word ‘varnish’; a sticky liquid applied to the surface of objects to form a shiny coating. The word can also refer to the objects coated with varnish themselves, which are sometimes decorated with additional materials like…
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Stitches of Resistance: Reclaiming the Narratives of the Enslaved Seamstresses in Martha Washington’s Purple Silk Gown
DR CYNTHIA E. CHIN A single object was the subject of my doctoral dissertation: a heavily faded purple silk gown owned and worn by Martha Dandridge Custis Washington (1731-1802), the wife of ‘His Excellency’, President George Washington. One of three surviving intact dresses belonging to Washington, the garment visibly still retains her embodied presence. The…
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Collecting Contexts – Why Do We Collect?
WILL BURGESS During the summer of 2019, I volunteered at the V&A’s Lansbury Micro Museum in Poplar, East London, to help run an exhibition called For the Love of Things. The exhibition put the personal collections of the museum’s visitors on display, its shelves changing throughout the summer as people contributed different groups of objects: antique…
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Material Culture and Identities: The Case of Eighteenth Century Toby Jugs
KERRY LOVE A main principle of material culture theory (the study of objects and their relationships to people) is that they can reflect or shape the people who lived alongside them in any given time. I have always enjoyed studying objects more than any other kind of source because the process gave me a direct…
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